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At 3 million square feet, this mammoth “mega-mall” is the epitome of excessiveness — and it's being called 'American Dream'. (This article was originally posted by our friends at Secret NYC) 'American Dream' will be...
There are a lot of things you’ll learn in A Very Expensive Poison, Lucy Prebble’s new play about Russian spy, Alexander Litvinenko. You won’t know if everything is true – after all, it’s set in Russia in the 1990s, alo...
The year is 2006 and our news feeds are full with pictures of the bald, yellow-tinged face of Alexander Litvinenko in a hospital bed. The British citizen, but former Russian secret service officer, had been poisoned - a...
Branden Jacobs-Jenkins is known for pushing audiences to the limit – and 'Appropriate' is no different. Anyone who saw his last show, An Octoroon, will appreciate that you don’t see his plays for a rolling-in-the-aisle...
Eugene O'Hare's play 'The Weatherman' is sobering, with a powerful message you won't forget. The weather. It's an easy subject to talk about. It fills small talk with awkward colleagues, or the fellow passenger on the...
The Doctor is The Almeida’s associate director Robert Icke’s swansong, and what a swansong it is. If Juliet Stevenson sprinting around The Almeida’s stage as she descends into full blown despair doesn’t go down as one...
A desperate economy, the rise of neo-fascism, people fleeing from their home across the continent... David Greig’s Europe was written 25 years ago, but in his debut production as Artistic Director at the Donmar Warehou...
Nöel Coward's hilarious play is reborn in . Andrew Scott is an icon. Every dramatic appearance he's made on our screens, or onstage, has been an unforgettable one. Whether it be as psychopath Moriarty in BBC's Sherlock...
Founded by three black British men in 1981, Phoenix Dance Theatre is the UK’s longest standing contemporary dance company outside London. This week, they bring a dance double-bill of ‘The Rite of Spring’ & ‘Left Uns...
Eco-terrorism meets late 80s rave in this funny, messy satire at the Pleasance Theatre. “First thing I got wrong was the title,” is the opening line – said by an actor portraying the play’s writer David Finnigan. It g...